This series follows directly from the one I created for my first exhibition, “侘び寂び / Wabi-Sabi.”
« Wabi-sabi (侘び寂び) is an aesthetic and spiritual concept that celebrates imperfection. It invites us to appreciate things as they are in the present moment. This philosophy encourages contemplation of simplicity, irregularity, and difference, just as we do with perfection. It is, therefore, a way of finding peace within oneself, of reconnecting with one’s inner being, and of remaining attuned to one’s surroundings.
This principle underlies the art of Bonsai (盆栽) and the design of Japanese gardens (日本庭園) or Zen gardens, both inherently aesthetic in nature. Their aim is to create dynamic, organic compositions grounded in minimalism and asymmetry. It is this natural elegance that I seek to embody through the concept that lends its name to my project.I strive to portray a different kind of beauty than the one we usually pursue, not in luxury or abundance, but in sobriety and humility.
While giving myself freedom in the choice of subjects, I will create a series of photographs united by a pronounced minimalism. The series will remain open-ended, with most images arranged on the wall in an organic, deconstructed rhythm, inspired by the refined yet asymmetrical balance of Japanese aesthetics, particularly Japanese gardens.
The works will be printed in varied formats, unframed, and presented in their most raw and unadorned form. The intention is to invite viewers to contemplate the harmony of the whole before focusing on each individual image. The empty space around them will serve as a pause, a moment of calm within the exhibition, and within the visitor’s day.
A stack of photographs will also be made available for guests to handle, extending the experience. To me, the act of touching a photograph brings a sense of authenticity and connection with the artist’s work. These images will not be protected, and every trace of handling will become part of their lived presence.
My aim is to create a harmonious, carefully crafted ensemble that engages multiple senses. I invite each viewer to clear their mind and discover beauty in the simplicity of this visual and sensory journey. The calm and tranquility I hope to evoke transform this project into an invitation to let go, an ode to serenity. »
Today, I continue this series alongside my current projects. As someone deeply connected to Japanese culture, and in homage to the concept that inspired my first physical exhibition, I am dedicating my work exclusively to Japanese aesthetics, with the hope of one day creating a photographic Japanese garden on a larger scale than the first.